Abstract artwork is a form of art wherein an object or a kind is developed in both a simplified means or an exaggerated method. Famous summary painters related to Minimalism embrace Advert Reinhardt (1913-sixty seven), Frank Stella (b.1936), whose large scale work contain interlocking clusters of form and colours; Sean Scully (b.1945) the Irish-American painter whose rectangular shapes of color seem to imitate the monumental forms of prehistoric buildings; in addition to Jo Baer (b.1929), Ellsworth Kelly (b.1923), Robert Mangold (b.1937), Brice Marden (b.1938), Agnes Martin (1912-2004), and Robert Ryman (b.1930).
Some examples of inclined planes embrace rooftops at numerous pitches, wheelchair ramps, field flaps, in variety of positions, and stairways, which are essentially a collection of small vertical and horizontal planes that fall inside a bigger inclined plane.
I just lately participated in an abstract exhibit, where the curators asked us all to put in writing an outline of why/what/how we understand abstract artwork – I will start with my own writing, and if there’s some interest, I’ll hold including other writings from the opposite artists.
Abstract art springs from many sources, from the roots of Art Nouveau with its curlicues and swirls of business designer-kind art and Cubism, that jagged sense of geometry imposing its will upon the natural world in order that few can perceive it, although many would discern within the angular line of a cityscape, for example.
For an early twentieth century summary fashion of painting which tried to mix Cubist composition with colour and music, see: Orphism A British pre-warfare art motion which was strongly influenced by the Cubist idiom, was Vorticism (1913-14), founded by Percy Wyndham Lewis (1882-1957).